Original lithographic poster produced in 1986 for the exhibition at the Berggruen Gallery in Paris. Printer: art workshop Desjobert paris.
Original poster pulled lithograph produced in 1986. State: see photographs; Well ; the work has never been framed; 2 small brown spots along the left margin. Replacing free hand paris possible appointment.The piece is sold with an invoice with a detailed description. Original lithographic poster Produced in 1986. Conditions: see photographs; Good; never framed; 2 small brown areas at border of the left margin.
Jean hélion jeans pseudonym Bichier, is one. Its complex artistic journey is over, if infrequent, abstract art. He was instrumental in introducing the art to abstract.
When child jeans hélion lives near the front of the. It makes pharmacy technician degree at. Then chemistry in 1920 at the Industrial Institute of the North. But becomes an architectural draftsman in.
Where he is responsible for taking readings of churches, sculptures, street corners, etc. It also follows the architecture course at the National School of Decorative Arts. He began painting with geometric trend alongside.Quickly he turned to a. Which emphasizes the volume, rhythm and movement. In 1925, the collector Georges bine, buying him his first paintings, allows him to devote himself fully to his art. In 1926, he moved into a studio where he received painters like. It is from them that he discovered. He painted mostly portraits, self-portraits and still lifes. From 1927 hélion part in the artistic review. And provides analyzes and summaries the main European magazines.
The following year, he exhibited at. From comely nature, it integrates with the circle of \From 1929, his paintings become more and more abstract. He writes articles on modern art in the magazine. He struggles against the material difficulties, however, that leave him little time to paint, shared between lessons, articles, and a few stories and tales. In 1932 he held his first exhibition through.Where it presents almost exclusively abstractions. He directs the first issue of abstraction-creation.
He participated in the three following numbers before leaving the group in 1934. He began to introduce curves and gradients in his works. He is involved in a growing number of exhibitions and gradually introduced the human figure as a subject of his paintings. He began to emphasize the contours, particularly those heads in the way.
As are a number of artists of the time, he made a trip. Hence he returned disillusioned and share visit.
He discovers the strength and violence. But manages to settle in. In 1939 hélion technically approach. The figure fell, against the tide of all his colleagues.He decided to return to France in 1940. Soon after, he was arrested and sent to. First in a camp and then on a prison ship. And after going through again.
He managed to return to. Where he published a book entitled. They will not have me. (They Shall not-have me) who is successful. He lectures in captivity in favor of.
Jean hélion, whose financial situation has, hitherto, been difficult wife. Daughter of the wealthy and extravagant. With whom he had three children: Fabrice, David and Nicolas. He began painting DAfter nature and is dedicated to a work.
Inspired by the scenes of everyday life. He was never to abandon figurative art, even going within.To the extreme and even grotesque. He painted still lifes in which he incorporates objects of ordinary life in particular pumpkins, bowler hats and umbrellas, charged objects symbols, who find in his works a permanent place. Later he will go to a compromise with a paint incorporating colored spots.
Due to its research extremism in Abstract Art. Who pushes to represent anthropomorphic forms. Folding the need to paint.He painted still lifes and nudes. In 1963, he married Jacqueline ventadour. In 1965, he exhibited at the. Helion begins to lose sight. He starts to introduce blind with.
In 1971, he underwent a double operation of. Of the new generation of painters that. It is now considered the precursor. Many of jeans hélion works are kept to. Island of France, 1935, London, Tate gallery.
The girl's feet in the water, 1945, oil on canvas, 116.8 × 81.2. Nu overthrown in 1946, oil on canvas, 130.5 x 92. Museum of Modern Art of the City of Paris. Journalerie, 1948, drawing, 59 × 37. Girl at the window, 1958 oil on canvas, paris, gallery Marwan hoss.
Nu barred, 1949 paris, gallery Marwan hoss. The triptych of the dragon, 1967 Regional Art Fund of contemporary Britain. The lobster, 1975 reindeer, Regional Contemporary Art Funds Brittany. Market spiders, 1976 reindeer, Regional Contemporary Art Funds Brittany.
The painted head, very artificial image of the natural head of the model, provides field values as large as all of my abstract designs. Gallery Marwan hoss, Paris, 12 street of Algiers, the. December 2004 to March 2005. This title has been translated into French and published in 2018.Circle of art, collectors' discover art. \Helion, archives of contemporary art, 1970, 104 p. Catalog published on the occasion of the exhibition at the Grand Palais in Paris, on 11 December 1970. The item \The seller is \This article can be shipped worldwide.